Jinshi culture promotes the development of purple sand art

Porcelain bank experts believe that the formation of a historical and cultural phenomenon must be produced in the excellent cultural soil and the participation of the artists and visitors. The same is true of the "golden stone culture and art" on the teapot.

During the Qing Dynasty, Chen Hongshou, a master of gold and stone painting, loved the art of purple sand. He designed the 18th Manson style and many masterpieces. The first Yixing parents official in the history of purple sand art was actively involved in advocating pot stone culture and art with broad and profound artistic thoughts. As a result, the pot stone culture at that time was greatly prosperous and greatly encouraged, forming a rare Manshitan pot in history. cultural phenomenon.

Zisha pottery carving art is a highly artistic "pot culture". Zisha pottery engraving, according to records, in the late Ming Dynasty and early Ming Dynasty purple sand transmitter has been engraved, but only records. During the Ming dynasty, the pottery of the sander was increasingly popular. Dabin made a six-corner pot at the time of Ming Dynasty. From the days of the Chongzhen of the Apocalypse to Chenzitang's calligraphy style of Jintang, Shen Ziche made a classic and simple style, and the item did not harm the description of the lettering style of Jin Tang and other ceramics.

Under the advocacy of Chen Hongshou, it gradually formed a model of “sculpture, literature, painting, calligraphy, and seal engraving” and created the “golden stone culture and art” style of the generation of teapot. He participated in the creation group of “Oman’s Topa”, and he used his calligraphy skills, his passion for cliffs, his imitation of the Qin and Han dynasties, and the use of Zhou Dingming's Wen Tuo Ben to be used in pots and stone cultures. The inscriptions, gongs, gongs, and gongs were carved. All lines are quaint and elegant, and the eighth book is especially simple and elegant. Chasing the wind and the Qin and Han Dynasties. It is the first creation in the history of Zisha Culture: the potter, the painter, the sculptor and the custom-made potter and room name are the four-in-one system type, integrating the literature, art, calligraphy, and the stone founder of the Jinshi culture in one pot.

The formation of this comprehensive artistic and cultural phenomenon has created a precedent for the cultural art of zisha art treasures, promoted the deep cultural level development of zisha art, improved and supplemented the concepts of tea culture and tea ceremony spirit, and established a pottery culture on pottery pots. Art model. It laid the status of the fine arts and crafts of China’s arts and crafts for the purple sand culture and arts, created a new style of purple sand art in the history of the purple sand, and left an indelible historical mark on the works created by the famous potters. At the same time, it also promoted the art of high-level art to the society and paved the way for artistic development.