Everyone painted Mei

The initiation of Murmei and the poets and scholars in past ages have a close relationship in eulogizing the rhythm of Fenghua in plum blossoms. In the poems of Lin Biao, Su Shi, Lu You and others, there were a large number of chapters in the plum blossoms, with Ling Han Dou Xue and Bone Bing Xin as their high standards. Among them, the Lin Mei's poem "Shu Ying Heng Xie" and "Subtle Fragrance Float" can best describe the charm of plum blossoms. Most of them use anthropomorphic techniques and use plum as a symbol of elegant and noble character. With the rise of the ink-and-bamboo paintings as a "silent poem," plum blossoms have also become an extremely popular theme on the art world.

During the Northern Song Dynasty, Meihua's experts wanted to release Chung-jen, and the Southern Song Dynasty to Yang. Zhong Ren was inspired by Moonlight Ying Mei Ying on the window paper, thus creating the so-called ink plum that was smeared with thick and faint ink. Everyone saw it and thought that there was a fascination with the moon and it was certainly highly artistic. Since then, the plum blossom has become a new breed in the field of flower and bird painting.

In the book “Mei Pao”, Wang Xi wrote this and said, “The elder sister loves Mei, but the owner of the abbot’s room is also planted with several books. When each flower is made, the trampoline is under it. After knowing what it meant, when the moon and the moon did not work, see Shu Ying across its paper window, Xiao Ran was cute and stunned with a pen and a shadow.In the early morning, there was a great deal of thinking about the moon and night. Sowed in the world." Huang Valley has also praised him for painting plum "such as clear Xiaonen cold solitary village hedge, but the ear is not sweet."

Yang Wuqi inherited Zhong Ren's clothes and was also good and beautiful. It is said that he once gave his painting plum to Zhao Lan. Huizong said that he painted the village road Nomei. He was not discouraged. He later claimed that his plum blossom was "Mong Feng Mei Mei." At that time, he created two methods for painting plums: one uses water and ink to stain the meat and picks up the little white flowers of the plum blossom; the other uses the ink to circle out the petals, the so-called coil method.

Yang Yan Wu Zheng Tang Zhengzhong and his brother-in-law use, are also work ink Mei, get the left of the law, that the halo of flowers, good name for a moment.

The plum blossoms of Wang Xie, the branches are stiff and the flowers are complex, they can show the vigor of the plum and are very angry. He used his paintings to express his ambitions of being laid on top of a rugged, lofty, proud, and upright society.

There are many artists working in the Ming Dynasty. There are Liu Shiru, Snow Lake, and the teacher Wang Yi, and they have the remnant charm of Yuanzhang. They are the authors of Xuemei Meipu. He and Chen Xianzhang, Wang Qian, Chen Hao, and Xu Hao were all promoted to paint plum masters.

There are more people painting Mei in the Qing Dynasty. At the beginning of the Qing dynasty, Shi Tao was painting Mei, and Mohua was inundated. He sought for Qi Yun in the smoke, and those who were not purely water-loving could expect to see it. Many of the "Yangzhou Eight" are skilled in plum blossoms. Jinnong painting plum master Song Baiyu (Taoist Ge Changgeng), ancient dry flowers, spring breeze trees, showing the simple style. Jinnong’s student Luo Yi was even more famous for his paintings. His wife Fang Yiyi, and his son Yun Shiu and Yun Yun were all able to draw plums and were known as the Luojiamei School. Wang Shishen and Gao Xiangdu Gong Mei, Jin Nong commented on his paintings. Nest Forest is good at painting and squaring, with thousands of flowers and cores. It is extremely complicated to prepare; the West Tang is good at thinning and thinning shadows. Li Fanglu also painted plum blossoms and made plum blossoms. The ancient dry air was empty, and the old man was straightforward and dripping with ink. He once had a seal, Wen Hao: "Plum Blossom Means."

Zhao Zhiqian and Wu Changshuo also loved painting Mei in the late Qing Dynasty. Zhao Zhiqian has plum blossoms with yellow powder. He draws ink plums to start from the simple and honest style, and is different from Kim Tsang's piety in winning. Wu Changshuo loved Mei for a lifetime. He praised plum blossoms with the verse of "Ice muscles must have passed away." He also said: "We don't have money to buy mountain burrows, do we have huts on the edge of Andermei?" In the past year, Wu bred more than 30 strains of plums in the garden, and he had spared no effort. Whenever Park Mei has a flower, take it under and watch it repeatedly. He likes to use cinnabar, magenta red plum, are full of charm. He also spent time cleaning the ring. The success of his painting plum is also derived from "scientific creation" and "expensive creation." When he came to him, he took paintings with a stone drumstick and painted it. Made by Xuemei, Mohua Shuiyun, broken jade, so that people do not know that snow is plum.

There are many types of plum, Jiangnan red plum, no red plum in the north, only see Huangmei and Chimei. Painting Mei's performance method is also different, there are ring Mei, plum, red plum, pink plum, white plum, plum, yellow plum, green plum points. It is hardest to paint plum blossoms. The critics think that they have not yet passed the decades. The circled pen should be like a round non-circle, similar to the non-square, the size of the phase, before and after the accumulation. In addition to the coils, it is necessary to study the broken core method. Painting Mei should pay attention to the core, cymbals, whiskers, and English. When painting, he used a crayon pen to circle the petals, painted with light ink, and dark ink in English. When you draw the core, you must pay attention to the direction of the core. Flowers should not be too much, 57 pens will do, and English may exceed 5-7, but not too much, too much chaos. General painting "wild plum", only painted flowers, not English. Mei Mei can also use dark ink to paint the core, or use a thirsty pen to make a point.

It is appropriate to use the paper-out method for the composition of paintings, and the scattered-point perspective method for long scrolls. In the layout of plums, we must pay attention to the blanks, and sometimes empty the paper. If we work out of thin air, there is not enough to do. If the branches are everywhere, we cannot explain the completeness. The dried plums are coarse and thin, and the rough can be brushed out by the big sheep, or a few pens can be used together. After many veterans are used, light ink should be used to dry them first. Darker ink should be used, and branches painted with light ink. Dry branches can be used in dark ink, moss and essays. The point of moss or point should be on the branch, but it should leave the branch slightly, and it must appear that it is on the branch, not out of thin air. Ancient paintings of plum blossoms have "female" characters, "zhi" characters, "ge" characters, and "cong" characters. Draw a branch and ask for a strong and strong, but also pay attention to flat out and avoid symmetry, the center of the tough pen, thirsty coke and meditation, thick smudge. The pen must use wrist force and arm force to show its god of frost and snow.