Six-person film interpretation interpretation Women's 2019 spring and summer series: a wind direction, different life

â–² T Magazine 1 / February joint cover

All clothes from Edition 2019S/S

Chen Chong, Zhao Tao, Lin Jiaxin, Gui Lun Mei, Ma Sichun, Spring and Summer, by listing these names, can draw a contemporary history of Chinese movies. They are among the deepest performers, women, and people whose careers are recognized. Movies make dreams, life is a scriptless creation. The best actors, shaping the most moving characters, are not faces, not honors – but real self.

Performances come from life experiences and form part of the experience. For example, Lin Jiaxin, the first time I saw a play by a loved one, clearly read the script, but every time I open the door, it must be the first time. In the year of the "100-day farewell", my father left her. The sadness of the character overlaps with reality. After several years of disappearance at the peak of his career, he returned to his mother and mother. After Lin Jiaxin’s closure of this film, he was the first “grand slam” actress in the history of Jinma.

Like Lin Jiaxin, Ma Sichun, spring and summer, when they hold the trophy, are in their twenties. In order to win the role, they all wrote long letters to the director to analyze their personal growth history. Lin Qi, who is looking for self in rebellion, Wang Jiamei, who is eager to be the star of the star, the fearlessness of the screen characters, is somewhat from the true nature of the actors.

They use self-fulfilling roles and their roles are rewarded. The first time he attended the awards ceremony, Ma Sichun heard Hou Xiaoxian on the stage and said that the film is willing. She cried and felt right. Spring and summer said: "Only when your heart is pulled out, others can give you your heart. This is my job."

The successful actresses have experienced doubts about self-worth. Limitations are always there, and art makes them break through and resist. Give new value to the new role.

8 times after the film, 2 best supporting actresses, 1 best director, 1 performance life achievement award, almost no Chinese female filmmaker can be as multifaceted as Chen Chong. As a woman, she never delivered herself. Work and family are choices, not all: "A good character comes to me to play, I have the opportunity to practice." Chen Chong, so far, is cultivated like this.

Six shadows, real, free, self and role, complement each other. This is the ideal realm of the actor, but also the unique flexibility and sentiment of the oriental women.

"The wind comes from the east, but it does not point the way." Behind the screen, the patterns are distinct.